Róma: Római múzeumok (fórum)

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Ezt találod a közösségünkben:

  • Tagok - 1390 fő
  • Képek - 4854 db
  • Videók - 1353 db
  • Blogbejegyzések - 3557 db
  • Fórumtémák - 190 db
  • Linkek - 1258 db

Üdvözlettel,
Huszákné Vigh Gabriella
Róma Közösségi Oldala vezetője

Amennyiben már tag vagy a Networkön, lépj be itt:

Szeretettel köszöntelek a Róma Közösségi Oldal nyitólapján!

Csatlakozz te is közösségünkhöz és máris hozzáférhetsz és hozzászólhatsz a tartalmakhoz, beszélgethetsz a többiekkel, feltölthetsz, fórumozhatsz, blogolhatsz, stb.

Ezt találod a közösségünkben:

  • Tagok - 1390 fő
  • Képek - 4854 db
  • Videók - 1353 db
  • Blogbejegyzések - 3557 db
  • Fórumtémák - 190 db
  • Linkek - 1258 db

Üdvözlettel,
Huszákné Vigh Gabriella
Róma Közösségi Oldala vezetője

Amennyiben már tag vagy a Networkön, lépj be itt:

Szeretettel köszöntelek a Róma Közösségi Oldal nyitólapján!

Csatlakozz te is közösségünkhöz és máris hozzáférhetsz és hozzászólhatsz a tartalmakhoz, beszélgethetsz a többiekkel, feltölthetsz, fórumozhatsz, blogolhatsz, stb.

Ezt találod a közösségünkben:

  • Tagok - 1390 fő
  • Képek - 4854 db
  • Videók - 1353 db
  • Blogbejegyzések - 3557 db
  • Fórumtémák - 190 db
  • Linkek - 1258 db

Üdvözlettel,
Huszákné Vigh Gabriella
Róma Közösségi Oldala vezetője

Amennyiben már tag vagy a Networkön, lépj be itt:

Szeretettel köszöntelek a Róma Közösségi Oldal nyitólapján!

Csatlakozz te is közösségünkhöz és máris hozzáférhetsz és hozzászólhatsz a tartalmakhoz, beszélgethetsz a többiekkel, feltölthetsz, fórumozhatsz, blogolhatsz, stb.

Ezt találod a közösségünkben:

  • Tagok - 1390 fő
  • Képek - 4854 db
  • Videók - 1353 db
  • Blogbejegyzések - 3557 db
  • Fórumtémák - 190 db
  • Linkek - 1258 db

Üdvözlettel,
Huszákné Vigh Gabriella
Róma Közösségi Oldala vezetője

Amennyiben már tag vagy a Networkön, lépj be itt:

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Római múzeumok

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Huszákné Vigh Gabriella üzente 4 hónapja

2. "I first came up with the idea in 1974. I was determined to find a way to bring these wonderful monuments to the world, but the technology didn't exist then," the project's director, digital archaeologist Bernard Frischer, told AFP.

"We had to redesign the model three times as technology advanced, but 22 years after we began, and three million dollars (2.6 million euros) later, we're finally here," he said
Users can currently do a "fly-over" of ancient Rome as well as stop and explore two sites, the Roman forum and the Basilica of Maxentius and Constantine, designed with input from a team of archaeologists.
"We chose AD 320 because we have the most information for that period so we can be as accurate as possible, and after that the empire's capital moved to Constantinople," said 69-year-old Frischer.

"At the moment you can travel in a virtual hot air balloon over the ancient city, and teleport between different parts of historic sites to see them as they were and learn more about them.
"In the next two to three years we will add other key sites, such as the Colosseum and the Pantheon," he said.

Users are able to switch between views of the monuments as they are now -- the ruined remains -- and as they were then.

The project is named after the words of 15th century papal secretary Flavio Biondo, who is the first documented person to have called for a reconstruction of ancient Rome.
Frischer, a classics scholar who teaches a PhD in Virtual Heritage, said users wearing virtual reality goggles would eventually be able to train together as gladiators in the Colosseum or race each other in chariots around the Circus Maximus.
Flyover Zone, the company behind Rome Reborn, plans to reconstruct Athens in the time of Socrates and Jerusalem in the period of Jesus Christ.

It is not the only project which allows people to see Rome as it was under various emperors, but those wanting to explore Nero's Domus Aurea palace and the Caracalla thermal baths have to use virtual reality goggles on site.
Read more at https://archaeologynewsnetwork.blogspot.com/2018/11/virtual-reality-resurrects-ancient-rome.html#QhTYRXVmoqZluvgL.99

Válasz

Huszákné Vigh Gabriella üzente 4 hónapja

Virtual reality resurrects ancient Rome bit by bit
2019.01.11.
Read more at https://archaeologynewsnetwork.blogspot.com/2018/11/virtual-reality-resurrects-ancient-rome.html#QhTYRXVmoqZluvgL.99
Gazing upon the splendours of ancient Rome is no longer a luxury reserved for visitors to the Italian capital, as temples opened their doors internationally with a digital project launched Wednesday after decades of planning.
The Rome Reborn tour is the first to show users over 7,000 buildings and monuments from the year AD 320, allowing both those with Virtual Reality goggles or just a computer to explore over 14 square kilometres (five-and-a-half square miles).
https://www.romereborn.org/

Válasz

Huszákné Vigh Gabriella üzente 4 hónapja

2. The Torlonia collection is the result of several archaeological excavations the aristocratic family made on their own land, yet not only. Many works were “bought” from noble families in difficulty. Among the marbles there is the colossal head of Apollo of Kanachos, but also the Athlete of Myron, the relief of Portus with the representation of buildings, ships, protective gods and commercial life of the Ancient Port of Rome, the sarcophagus of Hector. In short, a collection experts considered even more important than that of the Capitoline and Vatican Museums.

Prince Carlo Torlonia would rather not speak and simply comments as follows: “I would like these works of art to be part of a museum with my name, for example at Palazzo Giraud-Torlonia for all citizens of the world. And his lawyer, Adriana Boscagli, who made herself a name when it comes to multimillionaire hereditary divisions, explains that “the precautionary protection became necessary in consideration of some conduct of the co-heirs and the executor of the will that in our opinion could have definitively prejudiced the inheritance rights of my client”. In the appeal it is stated that Carlo Torlonia “only by chance” became aware, for example of the establishment of the Torlonia Foundation - in which neither he nor his children had any role – which had taken over the management of all the enormous collections of works of art on loan”.
“This measure, explains Boscagli, tends to prevent both acts of dispersion of movable property such as statues, but also to prevent the completion of corporate transactions”. The spy on the “danger of expatriation of works of art” would have been lit up by a meeting in the United States between the current president of Banca del Fucino and representatives of the Paul Getty Museum, from what can be read in American court documents brought to the attention of the Italian judge. Was it to talk about the statues? And from the same papers we learn that 30 art experts were sent to Rome to evaluate the works, guests at Villa Albani in 2016. Circumstances that convinced the Italian judge to stop the succession waiting for greater clarity and then proceed to the division.

2019.01.11.

Read more at https://archaeologynewsnetwork.blogspot.com/2018/11/italian-aristocratic-family-at-war-for.html#J1yZulKJ3utrbYmG.99

Válasz

Huszákné Vigh Gabriella üzente 4 hónapja

Italian Aristocratic family at war for world’s largest private collection of marble statues
2019.01.11.
The court has blocked the expatriation of the Torlonia family’s works of art. The world’s largest private collection - worth nearly two billion euros - is at stake: 620 marbles, a villa and a painting gallery.
Not even Berlusconi had succeeded in unlocking the 620 marbles of inestimable value of Torlonia, the largest private collection in the world, which disappeared in the basement of a building in Via della Lungara where, in place of the Museum, in the 1970s, mini apartments popped up. But the death of Prince Alexander, and the fierce hereditary war that followed, has rekindled a beacon on this story and on the statues that over the years have not only been collecting dust in a cellar but have run the serious risk of “emigrating” overseas. But now, thanks to the heir of the title, Carlo Torlonia, the marbles, the picture gallery and a large part of the family heritage have been seized by the court.
A “fratricidal” hereditary war which sees Prince Charles on one side and his three siblings, Paola, Francesca and Giulio, on the other one. A huge patrimony that includes not only the art collections but also Villa Torlonia (formerly Villa Albani) that was inhabited by Benito Mussolini, and several other jaw-dropping buildings.

Heirs at war, fighting not only for an immense fortune, but also for their last name, (a piece of Italy’s history), along with the fate of works of art that are a private good yet also a good for humanity. And it probably on this line that the judge yesterday proved Carlo Torlonia right as he saw the danger of the dispersion of goods. A decision that protects not only the heir but also a large part of the Italian artistic heritage.

https://archaeologynewsnetwork.blogspot.com/2018/11/italian-aristocratic-family-at-war-for.html#J1yZulKJ3utrbYmG.99

Válasz

Huszákné Vigh Gabriella üzente 4 hónapja

Látogatottsági csúcs Róma modern múzeumában, a MAXXI-ban
2019.01.11.
Róma nem a modern múzeumairól híres, de újabban az tapasztalható, hogy fellendülőben van a kortárs modern római művészetek iránti érdeklődés. A MAXXI múzeum például tavaly 204 000 látogatót fogadott, s a decemberi, karácsonyi időszakban több mint 1000 látogatót vonzott naponta. A rómaiak körében sikere van a MAXXI kártyának, ami egész évben korlátlan belépést biztosít a múzeumba.
2019-ben a MAXXI további kedvezményeket vezet be, a diákoknak a MINI jegyet,- a diákok 5 euróért szerdánként 14 h után bemehetnek, mindenki másnak pedig a LAST HOUR jegyet, szintén 5 euróért, amivel 17.30 h-tól , szombatonként pedig 20.30 h-tól lehet belépni a múzeumba.

https://www.wantedinrome.com/news/visitor-boom-for-romes-maxxi-in-2018.html
https://roma.repubblica.it/cronaca/2019/01/07/foto/roma_mostra_maxxi-216015548/#1

Válasz

Huszákné Vigh Gabriella üzente 4 hónapja

Visitor boom for Rome's MAXXI in 2018
2019.01.11.
https://www.wantedinrome.com/news/visitor-boom-for-romes-maxxi-in-2018.html

Successful 2018 for Rome's Museo nazionale delle arti del XXI secolo.
Rome's MAXXI Museo nazionale delle arti del XXI secolo welcomed 204,000 visitors in 2018, recording an 11 per cent increase in ticket sales compared to 2017.

The purchase of myMAXXI cards, the museum's one-year subscription allowing unlimited entry to exhibitions and cultural events, tripled in comparison to 2017, with 3,000 cards sold in 2018.

MAXXI has a particularly successful December, welcoming over 1,000 visitors a day during the Christmas period. It also hosted 917 workshops during 2018, attracting more than 23,000 participants.

The museum has announced new opportunities for visitors in 2019 with the introduction of the "Mini" ticket for students (every Wednesday from 14.00) and the "Last Hour" ticket starting from 17.30 (on Saturday from 20.30), both costing €5.

Válasz

Huszákné Vigh Gabriella üzente 4 hónapja

Al Maxxi di Roma c'è La Strada: mostri e sogni in chiaroscuro
2019.01.11.
https://roma.repubblica.it/cronaca/2019/01/07/foto/roma_mostra_maxxi-216015548/#1

Voci, suoni, rumori, alcuni assordanti, altri ancora poetici. In ogni caso, vivi. Entrare negli spazi del Maxxi che accolgono "La strada. Dove si crea il mondo", è come fuoriuscire da un tunnel ed immergersi, senza tregua, nel vivace panorama di una immensa via, fatta di tanti percorsi di diverse geografie. Centoquaranta sono gli artisti e duecento le opere scelte dal direttore del Maxxi, Hou Hanru, con lo staff curatoriale e di ricerca del museo. E per chi la visita, la mostra assume le sembianze di una installazione narrativa, divisa in sezioni in cui si riflette su politica, spazio pubblico, economia e molto altro. C'è Patrick Tuttofuoco che propone un suo speciale inventario dedicato ai veicoli della fantasia; Flavio Favelli assembla vecchie insegne luminose per concepire sculture che narrano di luoghi e memorie stratificate, stazioni di benzina e notti insonni di anonimi viaggiatori. E - sempre per rimanere sui nomi giovani e italiani di respiro internazionale - Marinella Senatore, che sente invece lo spazio pubblico come una piattaforma vivace, in cui far interagire le persone a suon di musica e a ritmo di danze popolari. La mostra prosegue, tra gli altri, con Allora & Calzadilla, Rosa Barba, Martin Creed, Cao Fei e Ugo La Pietra, in un rincorrersi di visioni e suggestioni, che il percorso evidenzia con una coralità di punti di vista, uscendo anche dallo spazio espositivo. È il caso, tra le altre, dell'installazione di Alfredo Jaar, una serie di manifesti sparsi per la città in cui l'artista ha riportato una sintomatica (per la sua attualità stringente) frase di Antonio Gramsci: "Il vecchio mondo sta morendo. Quello nuovo tarda a comparire. E in questo chiaroscuro nascono i mostri".

Válasz

Huszákné Vigh Gabriella üzente 6 hónapja

Sotterranei della Basilica di San Giovanni in Laterano
2018.11.18.
https://scoprendoroma.info/luoghi/sotterranei-della-basilica-san-giovanni-laterano/

Válasz

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